Making is Thinking
Sagging into the Space Between the Slats
Around the Nether Reaches
by David Brody, ArtCritical.com
David Brody, in a wonderful article, writes "Wiener's exploratory, morph-or-die universe is the reverse of our inertial one: objects never remain at rest."
by Blake Gopnik, The Daily Beast
by Peter Frank, The Huffington Post
by Jessica Pleasants, FXFOWLE
by Ephraim Birnbaum, Romanov Grave
by James Kalm/Lauren Monk, ArtReview.com
A walk-through of my recent show at Lesley Heller Workspace, in April.
54 Orchard Street
New York, NY 10002
t 212 410 6120
ArtWeLove presents "curated limited editions, by some of the best artists living today, irresistibly priced for every budget."
curated by Mary Heilmann featuring works by Don Christensen, Mary Heilmann, Kurt Gumaer and Daniel Wiener
August 11 - September 11, 2012
216a Main Street
curated by Bonnie Rychlak
April 28th – October 7th, 2012
LongHouse Reserve 2012
133 Hands Creek Road
East Hampton, New York 11937
Please check the website for hours and directions.
Apoxie-Sculpt is a self-hardening clay manufactured by Aves Studios.
I use Polytek 74-30 for poured rubber molds and Polygel 40 or 50 for brush-on molds.
Aqua-Resin (created by an artist) is an easy to use, opaque, non-toxic composite fabricating resin. It is usually used as a casting material but I use it direct, either brushing it or pouring it over a form.
All the glass seen in my sculptures was produced at Pilchuck Glass School over several weeks during an artist-in-residency. Pilchuck, generously, asks artists to their campus to explore what glass can do. It was a tremendous and productive experience.
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Contact me for a quote.