Open Source Sculpture
Blooming

The continuing story of the making of a green vase.

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Algorithm for a Crazy Vase

Openness, transparency and the sharing of knowledge is the ethos of much of the internet and social media. In that spirit, I am trying my hand at "open source" sculpture and write histories of my sculptures. Perhaps you will find it useful. This is the history of a "crazy" vase

View Algorithm for a Crazy Vase

Animations
View hairtoextraholly

hairtoextraholly

Not too long ago, struggling with my work more than usual, I wondered if and how to continue. Two things happened. First I tossed out the rulesand limitations I had set for myself 20 years ago and decided to experiment with different media. The recent development of powerful (but affordable) computers and software allowed me to try my hand at animation, almost the opposite of sculpture in every way. Secondly, to help me find my way again, I gathered images of my central influences and worked them in sketches and watercolors. Reviewing my artistic sources with renewed attention, I copied them, hoping to find clues to the work's underlying spirit. What had attracted me to these images in the first place? I decided to simplify and isolate shapes. The starting point for "hairtoextraholly" was to morph other artists' shapes into mine and back again. As if mimicking the emotional process of influence would point to the resolution of my artistic crisis. --Read More

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View blackspread

blackspread

A Quicktime movie of an excerpt of a partially completed stop-action animation. This excerpt incudes music and is composited into "live-action" shots of ink spreading on watercolor paper.

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View blackleaf

blackleaf

A Quicktime movie of an excerpt (1) of a partially completed stop-action animation.

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View orangeline

orangeline

A Quicktime movie of an excerpt (2) of a partially completed stop-action animation.

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View blackcrater

blackcrater

A Quicktime movie of an excerpt (3) of a partially completed stop-action animation.

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View redriver

redriver

A Quicktime movie of an excerpt (4) of a partially completed stop-action animation.

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View bluecrater

bluecrater

A Quicktime movie of an excerpt (5) of a partially completed stop-action animation.

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Writing
Tips - The Ends of Things

I have been thinking about tips, the end of things, the end of objects. From a certain point of view an object ends everywhere its surface meets the space around it. There are also some areas of a shape where we feel it ends more than others, for instance, the edge of a box where two planes meet. But I concentrate on the area of an object we call the tip. (Once you begin to talk about this in an abstract way "tip" becomes difficult to define. "Beginning" and "end" are truly abstract concepts when it comes to physical shapes. Do our bodies begin at our feet and end at our heads? Or do they begin at our heads and end at out feet? Or even do they begin at our skin and end at our skeleton.) When we say "tip", however, we know what we mean. If an object "ends" everywhere, still we feel that it ends at a specific locale, which is often called the tip... the very end. The end of fingers, toes, penis or nipple, the steeple of a church and the point of a knife are all tips. --Read More

note: this is work-in-progress and is kind of a mess... patience, please.

Tutorials
Create Virtual Host

For each of my websites, I create a website on my own computer that exactly mirrors the online version. This is a tutorial that shows you how to set up your computer so it works like a webserver. I make all changes on the local website and test them before they are uploaded to remote websites. There are a few other tutorials that will tell you how to create virtual hosts on your Mac, but this is meant for people with little experience who need step-by-step instructions. I hope it is helpful.

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Reviews

An Ethos of Industrious Neurosis

by David Brody, ArtCritical.com
David Brody, in a wonderful article, writes "Wiener's exploratory, morph-or-die universe is the reverse of our inertial one: objects never remain at rest."

A Mess of Art

by Blake Gopnik, The Daily Beast

Haiku Review

by Peter Frank, The Huffington Post

Words with the Artist: Daniel Wiener, Part 1 and Part 2

by Jessica Pleasants, FXFOWLE

Daniel Wiener at Calvin Morris Gallery

by Ephraim Birnbaum, Romanov Grave

Interview

Making is Thinking Video Tour

by James Kalm/Lauren Monk, ArtReview.com
A walk-through of my recent show at Lesley Heller Workspace, in April.

Galleries

Lesley Heller Workspace

54 Orchard Street
New York, NY 10002
t 212 410 6120

ArtWeLove

Three Editions
Sculpture, Adrift
Near the Ruins of the Sutro Baths
Red Leaf

ArtWeLove presents "curated limited editions, by some of the best artists living today, irresistibly priced for every budget."

Exhibitions

Spriral Bound

Notebooks by Artists from New York and San Diego
Read Essay
June 18 - July 16, 2011
National University
7787 Alvarado Road
La Mesa, CA

Materials

Apoxie Sculpt

Apoxie-Sculpt is a self-hardening clay manufactured by Aves Studios.

Polytek - Liquid Mold Rubber

I use Polytek 74-30 for poured rubber molds and Polygel 40 or 50 for brush-on molds.

Aqua-Resin

Aqua-Resin (created by an artist) is an easy to use, opaque, non-toxic composite fabricating resin. It is usually used as a casting material but I use it direct, either brushing it or pouring it over a form.

Pilchuck

All the glass seen in my sculptures was produced at Pilchuck Glass School over several weeks during an artist-in-residency. Pilchuck, generously, asks artists to their campus to explore what glass can do. It was a tremendous and productive experience.