Better Than Sculpture

Sometimes “engineering” is better than run-of-the-mill contemporary sculpture. The marble machine depicted below is created by xeniaguy2 (I could not find out his real name) and it looks like it is something he is making as a “hobby”. Even though it is easily described as a “Rube Goldberg” contraption, it displays a sense of grace and a power of invention that enthralls, intensifying its significance beyond its apparent means.

Also, it is an example of “open source” in the real three dimensional world, since it lays bare its mechanisms and their principles. It shows you how it is doing what it is doing and teaches along the way. (Ironically much of our created environment, before the digital, is “open source”).

So, three cheers for xeniaguy2. I look forward to more installments, as he continues this amazing project.

One Response to “Better Than Sculpture”

  1. Xeniaguy2 says:

    Thanks for the glowing report about my work. I am a 78 year old retired engineer who loves woodworking. In particular, wooden machines, and machines involving marbles. At the New York world’s Fair in 1939, I saw an amazing marble machine which I vividly remember to this day. This inspired me to do what I have done in life. (It helped a lot that my grandfather was a master carpenter.) On Youtube, I am xeniaguy and also xeniaguy2, and have posted 4 videos of my marble machines. I’m still working on machine 3, and hope to finish it someday. I’m working on several videos of other stuff I’ve built, and hope to get these on youtube someday.

    Richard Browne
    browne-one@roadrunner.com

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Reviews

An Ethos of Industrious Neurosis

by David Brody, ArtCritical.com
David Brody, in a wonderful article, writes "Wiener's exploratory, morph-or-die universe is the reverse of our inertial one: objects never remain at rest."

A Mess of Art

by Blake Gopnik, The Daily Beast

Haiku Review

by Peter Frank, The Huffington Post

Words with the Artist: Daniel Wiener, Part 1 and Part 2

by Jessica Pleasants, FXFOWLE

Daniel Wiener at Calvin Morris Gallery

by Ephraim Birnbaum, Romanov Grave

Interview

Making is Thinking Video Tour

by James Kalm/Lauren Monk, ArtReview.com
A walk-through of my recent show at Lesley Heller Workspace, in April.

Galleries

Lesley Heller Workspace

54 Orchard Street
New York, NY 10002
t 212 410 6120

ArtWeLove

Three Editions
Sculpture, Adrift
Near the Ruins of the Sutro Baths
Red Leaf

ArtWeLove presents "curated limited editions, by some of the best artists living today, irresistibly priced for every budget."

Exhibitions

Spriral Bound

Notebooks by Artists from New York and San Diego
Read Essay
June 18 - July 16, 2011
National University
7787 Alvarado Road
La Mesa, CA

Materials

Apoxie Sculpt

Apoxie-Sculpt is a self-hardening clay manufactured by Aves Studios.

Polytek - Liquid Mold Rubber

I use Polytek 74-30 for poured rubber molds and Polygel 40 or 50 for brush-on molds.

Aqua-Resin

Aqua-Resin (created by an artist) is an easy to use, opaque, non-toxic composite fabricating resin. It is usually used as a casting material but I use it direct, either brushing it or pouring it over a form.

Pilchuck

All the glass seen in my sculptures was produced at Pilchuck Glass School over several weeks during an artist-in-residency. Pilchuck, generously, asks artists to their campus to explore what glass can do. It was a tremendous and productive experience.