Resume

1954
1974-1975
1975-1977
1982-1983
Born,Cambridge, Massachusetts
Brown University, Rhode Island
University of California, Berkeley, B.A.
Whitney Museum Independent Study Program
Awards/Fellowships
2005
1995
1981
Artist in Residence – Pilchuck
New York Foundation Grant
Residence at Yaddo
One Person Exhibitions:
2006 Lesley Heller Gallery, New York, New York
2003 Acme Gallery, Santa Monica, California
2001 Acme Gallery, Santa Monica, California
Vadstrup & Bie, Copenhagen, Denmark
1998 Vadstrup & Bie, Copenhagen, Denmark
1997 Barbara Farber, Amsterdam, Holland
Angles Gallery, Los Angeles, California
Bravin Post Lee Gallery, New York, NY
1996 Bravin Post Lee Gallery, New York, New York
The McKinney Avenue Contemporary, Dallas, Texas
Acme Gallery, Santa Monica, California
1995 Holly Solomon Gallery, New York, New York, project room Lukacs Gallery, Fairfield University, Fairfield, Connecticut
1994 Foodhouse, Santa Monica, California
James Schmidt Contempary Art, St. Louis, Missouri
1993 Germans Van Eck Gallery, New York, New York
1992 Dorothy Goldeen Gallery, Los Angeles, California
John Post Lee Gallery, New York, New York,
University of Rhode Island Gallery, Kingston, Rhode Island
1989 Sorkin Gallery, New York, New York
1984 Patty Aande Gallery, San Diego, California
Stephen Wirtz Gallery, San Francisco, California
Video – New Media
2001 hairtoextraholly – a web animation presented by Dinaburg ArtsLLC, NY, NY
Thaw01 Festival of Video, Experimental Film and New Media www.uiowa.edu/~thaw, University of Iowa, Iowa City, Iowa
Rhizome, www.rhizome.org
Group Exhibitions
2009 Group Show, Norte Maar, Brooklyn, New York
Mixed Greens Anniversary Show, Mixed Greens, New York, New York
DRAW: Vasari Revisited, Norte Maar, Brooklyn, New York
2008 Ebb and Flow, Mike Weiss Gallery, New York, New York
2007 In the Belly of the Whale, Tracy Williams Gallery, New York, New York
curated by Patrick Callery
I Died for Beauty, Newman-Popiashvilli Gallery, New York, New York
curated by Omar Lopez-Chahoud
2006 Summer View, Feigen Contemporary, New York, New York
2005 Fall Vernisage 2005, Mary Dinaburg, New York, New York
2004 Elsewhere, Feigen Contemporary, New York, New York
If You Were Here
ArtsPlace Gallery, Lexington, Kentucky
Colored Pencil KS Art, New York, New York
Hot + Cool * Summer Gallery W 52, New York, New York
2003 Ball Point Inklings KS Art, New York, New York
24 Eugene Binder Gallery, Marfa, Texas
2002 Flux and Transparancies Galerie Filles du Calvaire, Brussels, Belgium curated by Catherine Perret and Christine Buci–Glucksman
Minimal to Excess, Bucheon Gallery, San Francisco, CA
Cross Pollination The Arboritum, LA, CA
curated by MeryLynn McCorkle and Susan Joyce (cd available)
2001 Perfect Plastic <g-module> Jeff Gleich Gallery, Paris, France Cross Pollination Holland Tunnel Gallery, Brooklyn, NY
curated by MeryLynn McCorkle and Susan Joyce (cd available)
2000 Flux and Transparancies Galerie Filles du Calvaire, Paris, France
curated by Catherine Perret and Christine Buci–Glucksman Works on Paper, Geoff Young Gallery, Great Barrington, MA
Small Abstraction” Eugene Binder Gallery, Long Island City, New York
“Almost Something, Depictive Abstraction”, curated by Andrew Chesler
Catherine Moore Gallery, New York, New York
Chromaform“, curated by Frances Colpitt
CSU Fullerton, Fullerton, CA, Santa Barbara Arts Forum, Santa Barbara, CA
Mount Holyoke University, South Hadley, MA
Newcomb Art Gallery, Tulane University, New Orleans, LA
Mealy Mouthed Materials, Charismatic Shapes and Other Funny Stories
Curated by Sally Gil and Dan Mills

The Ewing Gallery of Art, and Architecture, University of Tennessee, Knoxville, TE
The Biggen Gallery of Art, Auburn University, Auburn, Alabama

Acme Gallery, Los Angeles, CA
Sullivan/Genovese Gallery, Boston, MA

1999 AC Projects, New York, NY
Chromaform“, curated by Frances Colpitt

Nevada Institute of Contemporary Art, Las Vegas, NV
Wichita State University, Wichita, KS
University Art Gallery, New Mexico State University, Las Cruces, NM
Sonoma State University, Sonoma, CA

Mealy Mouthed Materials, Charismatic Shapes and Other Funny Stories
Curated by Sally Gil and Dan Mills

Roland Gibson Art Gallery, SUNY, Potsdam, NY
University Galleries, Illinois State University, Normal, IL
Rowe Arts Gallery, University of North Carolina, Charlotte, NC

White Box, Philadelphia, PA curated by Dick Torchia
De Chiara | Stewart Gallery, New York, NY Twenty-fifth Anniversary of NYFA

1998 Bravin Post Lee Gallery New York, NY “Three Sculptors
The David and Alfred Smart Museum of Art, Chicago, IL, “Blunt Object
curated by Courtenay Smith
Chromaform“, curated by Frances Colpitt

University of Texas, San Antonio,TX
University of North Texas, Denton, TX

1997 AC Project Room, New York, NY
Drawings From The MAB Library

The Work Space, New York, NY
Sculptural Imagery

The Rosenberg Gallery, Hofstra University, Hempstead, NY

Across Lines, curated by Dan Devine
James Schimdtt Contemporary, St. Louis, Missouri

Graham and Sons, New York, New York

Islip Museum, Islip, New York

1996 Museum of Fine Arts, Florida State University, Talahasee, FL.
Deven Golden Fine Arts, Ltd, New York, NY
The Work Space, New York, NY
Hot House curated by Amanda TragerWiener Secession, Vienna, Austria
Transformal curated by Maia Damianovic (catalog)
Angles Gallery, Santa Monica, California
My Friends in My Apartment, NY, NY curated by Barbara Pollack
Apex Gallery, New York, New York
Feigen Gallery, Chicago Illinois
James Schmidt Contemporary, St. Louis, Missouri

New Museum, NY, NY, Annual Gala Benefit
Sculpture Center, NY, NY, Benefit Show
White Columns NY, NY, Benefit Show

1995 Bravin Post Lee, NewYork, New York
A Drawing
Feigen Gallery, Chicago, Illinois

New Works
Stark Gallery, New York, New York
Color curated by Richard Kalina
E. S. Vandam Gallery, New York, New York
Works for a Funhouse
curated by Sue Canning, Saul Ostrow, Yvonne Muranushi
Casey Kaplan Gallery, New York, New York,
E. S. Vandam Gallery, New York, New York

Tinkering and Delving curated by Tom Butter

1994 Santa Monica Museum of Contemporary Art
Santa Monica, California, curated by Tom Rhoads
Bardamu Gallery, New York, New York
Jours Tranquilly a Clichy, Paris, France

Bravin Post Lee Gallery, New York, New York

1993 Shirley Fiterman Gallery, New York, New York
Madelain Jordan Gallery, New York, New York
The Living Room, Amsterdam, Holland
Jean Silverthorne, Peer Veneman, Daniel Wiener
Art Finds Gallery, East Hampton, New York

Hybrid Sculpture
Solo Impressions, Inc, New York, New York,
Malta’s Cradle: Reflections on the Abyss of Time, curated by Peggy Cyphers
Palazzo Castanci, Trieste, Italy
Post-Dialectical Index curated by Robert Morgan
Fiorella Lalumia Studio, Milan, Italy
Post-Dialectical Index curated by Robert Morgan

Horodner Romley Gallery, New York, New York
Post-Dialectical Index curated by Robert Morgan

1992 Germans Van Eck Gallery, New York, New York
The Play Between Fear and Desire
John Michael Kohler Art Center, Sheboygin, Wisconsin

In Praise of Folly
Thread Waxing Exhibition Space, New York, New York
The Curio Shop curated by Saul Ostrow
Arti et Amicitiae, Amsterdam, Holland
A Marked Difference
Sculpture Center, New York, New York, Group Show
David Beitzel Gallery, New York, New York
Allusion

Montclair State Art Galleries, Montclair, New Jersey
Selections from The Curio Shop, curated by Saul Ostrow
Barbara Toll Gallery, New York, New York
Modeling, curated by Rafael Rubinstein
Pamela Auchincloss Gallery, New York, New York
P.S. 1 Museum, Long Island City
Seven Rooms, Seven Shows: Four Walls at P.S.1

Germans Van Eck Gallery, New York, New York
Gallery Artists and Friends

1991 John Post Lee Gallery, New York,New York
Ornament
Syracuse University, Syracuse, New York

Animation and Ornament curated by Stephen Westfall
Art in General, New York, New York
Balancing
Carnegie Mellon Gallery, Pittsburgh, Pennsylvania
New Generation:New York curated by Elaine King
Sculpture Center, New York, New York

1990 Potsdam College of the State University of New York, Potsdam, New York
Animation and Ornament
Cooper Union, New York, NY
Symbolism
Sorkin Gallery, New York
Body:Once Removed
Philip Staib Gallery, New York, New York
1988 Sculpture Center, New York, New York
Annual Small Works
John Good Gallery, New York,New York
Numerators
Aubes 3935 Galerie, Montreal, Canada

Living in New York

1986 Bard College, Croton-on-the-Hudson, New York
The Painted Readymade
1983 Brown University, Providence, Rhode Island
Studio Marconi, Milan, Italy
Tibor de Nagy Gallery, New York, New York
Santa Cruz Museum of Art, Santa Cruz, California
1982 Oakland Museum, Oakland, California
From the Sunny Side

Stephen Wirtz Gallery, San Francisco, California
Summer Show
Visual Ars Center, Anchorage, Alaska
Sun Gallery, Hayward, California

Public Collections
Brown University, Providence, Rhode Island
La Jolla Museum of Contemporary Art, San Diego, California
Santa Cruz Museum of Contemporary Art, Santa Cruz, California
Museum van Hedendaagse Kunst, Gent, Belgium
Peco Energy, King of Prussia, Pennsylvania

Exhibitions

Fun Times Gallery

No Plans For Today
Organized by Vicki Sher
Reception: May 1st, 2010 - 6pm - 8pm
May 1st through May 29th, 2010
257 3rd Avenue
Brooklyn, New York

Featuring Work By: Ky Anderson, Tyler Dobson, Franklin Evans , Joseph Hart, Shaun Krupa, Elisa Lendvay, Lauren Luloff, Brion Nuda Rosch, Vicki Sher and Daniel Wiener

FXFOWLE Gallery

July 26th to September 17th, 2010
22 West 19 Street
New York NY 10011

Lesley Heller Gallery

One-Person Exhibition
February 23, 2011
54 Orchard Street
New York, NY 10002
t 212 410 6120

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    Materials

    Apoxie Sculpt

    Apoxie-Sculpt is a self-hardening clay manufactured by Aves Studios.

    Polytek - Liquid Mold Rubber

    I use Polytek 74-30 for poured rubber molds and Polygel 40 or 50 for brush-on molds.

    Aqua-Resin

    Aqua-Resin (created by an artist) is an easy to use, opaque, non-toxic composite fabricating resin. It is usually used as a casting material but I use it direct, either brushing it or pouring it over a form.

    Pilchuck

    All the glass seen in my sculptures was produced at Pilchuck Glass School over several weeks during an artist-in-residency. Pilchuck, generously, asks artists to their campus to explore what glass can do. It was a tremendous and productive experience.