I wrote about Nightwood, Julia Kunin’s exhibition at Greenberg Van Doren in 2012. Please read A LETTER TO RAPHAEL RUBINSTEIN from Daniel Wiener.
I wrote about Nightwood, Julia Kunin’s exhibition at Greenberg Van Doren in 2012. Please read A LETTER TO RAPHAEL RUBINSTEIN from Daniel Wiener.
I am very pleased that Alexander Ross wrote about my work in the Artists on Artists series in the most recent issue of Bomb Magazine.
Also included in the Artists on Artists series are the great sculptors, Michelle Segre and Sheila Pepe. It is an honor to be in the same issue with them.
by David Brody, ArtCritical.com
David Brody, in a wonderful article, writes "Wiener's exploratory, morph-or-die universe is the reverse of our inertial one: objects never remain at rest."
by Blake Gopnik, The Daily Beast
by Peter Frank, The Huffington Post
by Jessica Pleasants, FXFOWLE
by Ephraim Birnbaum, Romanov Grave
by James Kalm/Lauren Monk, ArtReview.com
A walk-through of my recent show at Lesley Heller Workspace, in April.
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Three Editions
Sculpture, Adrift
Near the Ruins of the Sutro Baths
Red Leaf
ArtWeLove presents "curated limited editions, by some of the best artists living today, irresistibly priced for every budget."
Including work by Lisa Beck, Lydia Dona, Scott Grodesky, Black Lake, Fabian Marcaccio, Kanishka Raja, Peter Rostovsky, Daniel Wiener
Apoxie-Sculpt is a self-hardening clay manufactured by Aves Studios.
I use Polytek 74-30 for poured rubber molds and Polygel 40 or 50 for brush-on molds.
Aqua-Resin (created by an artist) is an easy to use, opaque, non-toxic composite fabricating resin. It is usually used as a casting material but I use it direct, either brushing it or pouring it over a form.
All the glass seen in my sculptures was produced at Pilchuck Glass School over several weeks during an artist-in-residency. Pilchuck, generously, asks artists to their campus to explore what glass can do. It was a tremendous and productive experience.
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