Odd to Make Sculpture

SculpureIt may seem odd to make sculpture in our era of mass communications. If the internet is the information superhighway, sculpture is information before the invention of the wheel. How can sculpture contribute in the cacophony of a media-saturated world? Exactly because it does not do what other media does. Sculpture is mute and physical. It addresses an area of human knowledge outside the realm of language and images. This is the realm of the physical and spatial. Physicists and engineers may try to map and measure it but I am interested in the emotional component of the physical.


The Flesh is Weak

Maiden QueenWhat does it feel like to be a body… from the inside. I am never sure if I succeed at this but it is my aspiration. I want my sculpture to be the physical embodiment of the passions and pains of a mortal, fleshy being, with an emphasis on weakness and vulnerability. We don’t last that long. We’re easy to hurt. We have lots of needs and for long periods of time we are helplessly dependent on others. The key phrase is “physical embodiment”.


Not a Picture of Weakness

St. SebastienI don’t want a picture of weakness (not sure if this is weakness or heroism, but you get the idea), but want to find a physical analogy to the physical passions of the physical body in physical space.


Physical

I use the word physical over and over again because the physical is so frequently overshadowed by language and images. We can tend to forget our physical nature and ignore our physical surroundings. So maybe sculpture can help us remember our physicality.

Silent and Still and Voluntary

Sculpture is silent.
Sculpture is still.
Sculpture has multiple views. A truism, I know. But what interests me is that the views are not organized hierarchically or in time. Unlike most arts, the viewer decides on the duration of the piece. They can look at it for a second or for five hours. And the views will unfold for them in any order that they choose.

Perhaps these three attributes of sculpture – silence, stillness and multiple views – are an antidote to the chattering, consuming, controlling, overwhelming, branded media world.

Exhibitions

Exhibition Extended - January 16, 2010
Cavin Morris Gallery

Plant Body, Animal Body
Dec. 3, 2009- Jan. 16, 2010
Opening: Dec. 3rd, 6:00 - 8:00
210 Eleventh Avenue, Suite 201, New York, NY

Eye World

Eye World
November 22, 2009 - January, 2010
Triple Candie
500 West 148th Street, New York, NY

Jancar Gallery

Group Show
May, 2010
961 Chung King Road
Los Angeles, California

News

Online Studio Sale

I am selling watercolors online, through PayPal, at Studio Prices! My watercolors sell for $2000.00 in a gallery. Purchase them now for $800 - what I normally receive after a discount and the art dealer's percentage.This sale is for a limited time only.
graytraversebeads
greenpurplepondtower
sutroleafsplash
bluetowerbeads
headmouthwaterfall
multitentacleseyes
greenscreamingbat
ochrelumppile
redstrokegaruda
redwhirlpoolcity
Flowers Also in Hell

These watercolors are unframed. I will send them to you via Fedex. Shipping is included.

If you are interested in other artworks or would like more information please contact me.

Materials

Apoxie Sculpt

Apoxie-Sculpt is a self-hardening clay manufactured by Aves Studios.

Polytek - Liquid Mold Rubber

I use Polytek 74-30 for poured rubber molds and Polygel 40 or 50 for brush-on molds.

Aqua-Resin

Aqua-Resin (created by an artist) is an easy to use, opaque, non-toxic composite fabricating resin. It is usually used as a casting material but I use it direct, either brushing it or pouring it over a form.

Pilchuck

All the glass seen in my sculptures was produced at Pilchuck Glass School over several weeks during an artist-in-residency. Pilchuck, generously, asks artists to their campus to explore what glass can do. It was a tremendous and productive experience.