Odd to Make Sculpture

SculpureIt may seem odd to make sculpture in our era of mass communications. If the internet is the information superhighway, sculpture is information before the invention of the wheel. How can sculpture contribute in the cacophony of a media-saturated world? Exactly because it does not do what other media does. Sculpture is mute and physical. It addresses an area of human knowledge outside the realm of language and images. This is the realm of the physical and spatial. Physicists and engineers may try to map and measure it but I am interested in the emotional component of the physical.


The Flesh is Weak

Maiden QueenWhat does it feel like to be a body… from the inside. I am never sure if I succeed at this but it is my aspiration. I want my sculpture to be the physical embodiment of the passions and pains of a mortal, fleshy being, with an emphasis on weakness and vulnerability. We don’t last that long. We’re easy to hurt. We have lots of needs and for long periods of time we are helplessly dependent on others. The key phrase is “physical embodiment”.


Not a Picture of Weakness

St. SebastienI don’t want a picture of weakness (not sure if this is weakness or heroism, but you get the idea), but want to find a physical analogy to the physical passions of the physical body in physical space.


Physical

I use the word physical over and over again because the physical is so frequently overshadowed by language and images. We can tend to forget our physical nature and ignore our physical surroundings. So maybe sculpture can help us remember our physicality.

Silent and Still and Voluntary

Sculpture is silent.
Sculpture is still.
Sculpture has multiple views. A truism, I know. But what interests me is that the views are not organized hierarchically or in time. Unlike most arts, the viewer decides on the duration of the piece. They can look at it for a second or for five hours. And the views will unfold for them in any order that they choose.

Perhaps these three attributes of sculpture – silence, stillness and multiple views – are an antidote to the chattering, consuming, controlling, overwhelming, branded media world.

Exhibitions

Fun Times Gallery

No Plans For Today
Organized by Vicki Sher
Reception: May 1st, 2010 - 6pm - 8pm
May 1st through May 29th, 2010
257 3rd Avenue
Brooklyn, New York

Featuring Work By: Ky Anderson, Tyler Dobson, Franklin Evans , Joseph Hart, Shaun Krupa, Elisa Lendvay, Lauren Luloff, Brion Nuda Rosch, Vicki Sher and Daniel Wiener

FXFOWLE Gallery

July 26th to September 17th, 2010
22 West 19 Street
New York NY 10011

Lesley Heller Gallery

One-Person Exhibition
February 23, 2011
54 Orchard Street
New York, NY 10002
t 212 410 6120

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    Materials

    Apoxie Sculpt

    Apoxie-Sculpt is a self-hardening clay manufactured by Aves Studios.

    Polytek - Liquid Mold Rubber

    I use Polytek 74-30 for poured rubber molds and Polygel 40 or 50 for brush-on molds.

    Aqua-Resin

    Aqua-Resin (created by an artist) is an easy to use, opaque, non-toxic composite fabricating resin. It is usually used as a casting material but I use it direct, either brushing it or pouring it over a form.

    Pilchuck

    All the glass seen in my sculptures was produced at Pilchuck Glass School over several weeks during an artist-in-residency. Pilchuck, generously, asks artists to their campus to explore what glass can do. It was a tremendous and productive experience.