{"id":32,"date":"2009-05-14T14:04:55","date_gmt":"2009-05-14T19:04:55","guid":{"rendered":"http:\/\/www.danielwiener.com\/is\/?page_id=32"},"modified":"2026-03-09T18:38:37","modified_gmt":"2026-03-09T23:38:37","slug":"resume","status":"publish","type":"page","link":"https:\/\/www.danielwiener.com\/is\/resume","title":{"rendered":"Resume"},"content":{"rendered":"<p><strong>1954<\/strong><br \/>\nBorn, Cambridge, Massachusetts<\/p>\n<p><strong>1974\u20131975<\/strong><br \/>\nBrown University, Rhode Island<\/p>\n<p><strong>1975\u20131977<\/strong><br \/>\nUniversity of California, Berkeley, B.A.<\/p>\n<p><strong>1982\u20131983<\/strong><br \/>\nWhitney Museum Independent Study Program<\/p>\n<h2>Awards\/Fellowships<\/h2>\n<hr \/>\n<p><strong>2017<\/strong><br \/>\n<a href=\"https:\/\/www.macdowellcolony.org\" target=\"_blank\" rel=\"noopener noreferrer\">Residence at MacDowell Colony<\/a><br \/>\n<a href=\"http:\/\/residencies.dieudonne.org\/\">Dieu Donne Workspace Artist<\/a><\/p>\n<p><strong>2015<\/strong><br \/>\n<a href=\"http:\/\/www.treeoflifeartists.org\/?noSplash=true\" target=\"_blank\" rel=\"noopener noreferrer\">Tree of Life Grant<\/a><\/p>\n<p><strong>2013<\/strong><br \/>\n<a href=\"http:\/\/www.ucrossfoundation.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Alpert Award Ucross Residency<\/a><\/p>\n<p><strong>2012<\/strong><br \/>\n<a href=\"http:\/\/www.gf.org\/fellows\/all-fellows\/daniel-wiener\/\" target=\"_blank\" rel=\"noopener noreferrer\">Guggenheim Fellowship<\/a><\/p>\n<p><strong>2005<\/strong><br \/>\nArtist in Residence \u2014 Pilchuck<\/p>\n<p><strong>1995<\/strong><br \/>\nNew York Foundation Grant<\/p>\n<p><strong>1981<\/strong><br \/>\nResidence at Yaddo<\/p>\n<h2>One Person Exhibitions<\/h2>\n<hr \/>\n<p><strong>2025<\/strong><br \/>\n<em>Minimal\/Maximal<\/em>, Athens, New York, curated by Ed Rothfarb<\/p>\n<p><strong>2024<\/strong><br \/>\n<em>Beyond Face Value<\/em>, Art Cake, Brooklyn, New York, curated by Lesley Heller<\/p>\n<p><strong>2023<\/strong><br \/>\n<em>Library<\/em>, Tappeto Volante, Brooklyn, New York, curated by Glenn Goldberg<br \/>\n<em>Rainbow Rococo<\/em>, Kathryn Markel, New York, New York, curated by Marilla Palmer<br \/>\n<em>Hyper-Materiality<\/em>, Culture.Object, New York, New York, curated by Damon Crain<\/p>\n<p><strong>2022<\/strong><br \/>\n<em>Storytellers in the Post-Style Era<\/em>, Culture.Object, New York, New York, curated by Damon Crain<br \/>\n<em>At Home With Scallywags and Rapscallions,<\/em> Pamela Salisbury Gallery, Hudson, New York<\/p>\n<p><strong>2019<\/strong><br \/>\n<em>Wide-Eyed and Open-Mouthed,<\/em> Lesley Heller Gallery, New York, New York<\/p>\n<p><strong>2017<\/strong><br \/>\nStudio 10, Brooklyn, New York<br \/>\nAutomat, Philadelphia, PA, curated by Nadine Beauharnois<\/p>\n<p><strong>2015<\/strong><br \/>\nLesley Heller Gallery, New York, New York<\/p>\n<p><strong>2014<\/strong><br \/>\nPocket Utopia, New York, New York<br \/>\ncurated by Austin Thomas<\/p>\n<p><strong>2011<\/strong><br \/>\nLesley Heller Gallery, New York, New York<\/p>\n<p><strong>2010<\/strong><br \/>\nFXFowle Architects Gallery, New York, New York<\/p>\n<p><strong>2006<\/strong><br \/>\nLesley Heller Gallery, New York, New York<\/p>\n<p><strong>2003<\/strong><br \/>\nAcme Gallery, Santa Monica, California<\/p>\n<p><strong>2001<\/strong><br \/>\nAcme Gallery, Santa Monica, California<br \/>\nVadstrup &amp; Bie, Copenhagen, Denmark<\/p>\n<p><strong>1998<\/strong><br \/>\nVadstrup &amp; Bie, Copenhagen, Denmark<\/p>\n<p><strong>1997<\/strong><br \/>\nBarbara Farber, Amsterdam, Holland<br \/>\nAngles Gallery, Los Angeles, California<br \/>\nBravin Post Lee Gallery, New York, NY<\/p>\n<p><strong>1996<\/strong><br \/>\nBravin Post Lee Gallery, New York, New York<br \/>\nThe McKinney Avenue Contemporary, Dallas, Texas<br \/>\nAcme Gallery, Santa Monica, California<\/p>\n<p><strong>1995<\/strong><br \/>\nHolly Solomon Gallery, New York, New York, project room<br \/>\nLukacs Gallery, Fairfield University, Fairfield, Connecticut<\/p>\n<p><strong>1994<\/strong><br \/>\nFoodhouse, Santa Monica, California<br \/>\nJames Schmidt Contemporary Art, St. Louis, Missouri<\/p>\n<p><strong>1993<\/strong><br \/>\nGermans Van Eck Gallery, New York, New York<\/p>\n<p><strong>1992<\/strong><br \/>\nDorothy Goldeen Gallery, Los Angeles, California<br \/>\nJohn Post Lee Gallery, New York, New York<br \/>\nUniversity of Rhode Island Gallery, Kingston, Rhode Island<\/p>\n<p><strong>1989<\/strong><br \/>\nSorkin Gallery, New York, New York<\/p>\n<p><strong>1984<\/strong><br \/>\nPatty Aande Gallery, San Diego, California<br \/>\nStephen Wirtz Gallery, San Francisco, California<\/p>\n<h2>Group Exhibitions<\/h2>\n<hr \/>\n<p><strong>2022<\/strong><br \/>\n<em>Color Forms<\/em>, Project Space, New York, New York, curated by Leslie Kerby and Michelle Weinberg<\/p>\n<p><strong>2020<\/strong><br \/>\n<em>Ho Hum All Ye Faithful (part 3)<\/em>, BravinLee Programs, New York, New York curated by John Lee and Karen Bravin<br \/>\n<em>Assembled<\/em>, Metrotech Center, New York, New York curated by Tom Kotik<\/p>\n<p><strong>2019<\/strong><br \/>\n<em>Quirk,<\/em> Kathryn Markel Gallery, New York, New York, curated by Fran Shalom<br \/>\n<em>Mark Makers,<\/em> Ann Street Gallery, Newburgh, New York, curated by Virginia Walsh<\/p>\n<p><strong>2018<\/strong><br \/>\n<em>Workspace Exhibition,<\/em> Dieu Donn\u00e9, Brooklyn, New York<\/p>\n<p><strong>2017<\/strong><br \/>\n<em>Gardens on Orchard,<\/em> Lesley Heller Workspace, Brooklyn, NY, curated by Lesley Heller<\/p>\n<p><strong>2016<\/strong><br \/>\n<em>Fish Tank,<\/em> LIU Gallery, Brooklyn, NY, curated by Matt Freedman &amp; Laurence Hegarty<br \/>\n<em>The Tide is High,<\/em> Colonels Row, Governors Island, NY, curated by Michael Levinson, Chris Joy, and Jeffrey Mueller<br \/>\n<em>Ways and Means,<\/em> 1285 Avenue of the Americas Gallery, New York, New York, curated by Jason Andrew<br \/>\n<em>Laughing Out Loud,<\/em> Trestle Gallery, Brooklyn, New York<\/p>\n<p><strong>2015<\/strong><br \/>\n<em>OBJECT &#8216;HOOD,<\/em> Lesley Heller Workspace, New York, New York, curated by Gelah Penn and Inna Babaeva<br \/>\n<em>Cosmicomics,<\/em> Frosch &amp; Portmann Gallery, New York, New York, curated by Vicki Sher<\/p>\n<p><strong>2014<\/strong><br \/>\n<em>Nature&#8217;s Knot,<\/em> curated by John Monti, Luise Ross Gallery, New York, New York<br \/>\n<em>Cut, Carve, Chisel and Sculpt,<\/em> Lesley Heller Workspace, New York, New York<br \/>\n<em>Improvised Showboat,<\/em> curated by Lauren Britton and Zachary Keeting, Brooklyn, New York<br \/>\n<em>BRIC Biennial: Vol. I, Downtown Edition,<\/em> Brooklyn, New York<br \/>\n<em>MAC @ 20 Part One,<\/em> McKinney Avenue Contemporary, Dallas, Texas<br \/>\n<em>Fragmented Realities,<\/em> curated by Randy Gilmore, Delaware Community College, Media, Pennsylvania<br \/>\n<em>Miniatures in the Window Gallery,<\/em> Pocket Utopia, New York, New York<\/p>\n<p><strong>2013<\/strong><br \/>\n<em>Clouds,<\/em> curated by Adam Simon, Lesley Heller Workspace, New York, New York<br \/>\n<em>Spiral Bound\u2014Notebooks from Artists in New York,<\/em> Castle Gallery at the College of New Rochelle, New Rochelle, New York<br \/>\n<em>X-tra,<\/em> Lesley Heller Workspace, New York, New York<br \/>\n<em>Rock Street,<\/em> Bushwick Open Studios Event, curated by Deborah Brown and Lesley Heller, Brooklyn, New York<br \/>\n<em>Portraits of Fern,<\/em> Norte Maar, Brooklyn, New York<br \/>\n<em>Yard Sale,<\/em> Lesley Heller Workspace, New York, New York<br \/>\n<em>ArtMrkt,<\/em> Bridgehampton, New York<\/p>\n<p><strong>2012<\/strong><br \/>\n<em>Seating Arrangements,<\/em> curated by Mary Heilmann, ILLE Arts, Amagansett, New York<br \/>\n<em>Diversities of Sculpture\/Derivations from Nature,<\/em> curated by Bonnie Rychlak, LongHouse Reserve, East Hampton, New York<\/p>\n<p><strong>2011<\/strong><br \/>\n<em>Spiral Bound \u2014 Notebooks by Artists from New York and San Diego,<\/em> National University, La Mesa, CA<br \/>\n<em>Twin Twin Postcard Edition,<\/em> curated by Matt Freedman, Pierogi Gallery, Brooklyn, New York<\/p>\n<p><strong>2010<\/strong><br \/>\n<em>No Plans For Today,<\/em> curated by Vicki Sher, Fun Times Gallery, Brooklyn, New York<br \/>\nBKLYNYDESIGNS, Brooklyn, New York<br \/>\n<em>Plant Body, Animal Body,<\/em> Cavin Morris Gallery, New York, New York<\/p>\n<p><strong>2009<\/strong><br \/>\n<em>Twin Twin III,<\/em> Artist Edition, Big &amp; Small\/Casual Gallery, Brooklyn, New York<br \/>\n<em>Drawer Show,<\/em> Triple Candie, New York, New York<br \/>\n<em>Beta Spaces,<\/em> Norte Maar, Brooklyn, New York, curated by Jason Andrew<br \/>\n<em>Mixed Greens Anniversary Show,<\/em> Mixed Greens, New York, New York<br \/>\n<em>DRAW: Vasari Revisited,<\/em> Norte Maar, Brooklyn, New York<\/p>\n<p><strong>2008<\/strong><br \/>\n<em>Ebb and Flow,<\/em> Mike Weiss Gallery, New York, New York<br \/>\n<em>Country Mouse\/City Mouse,<\/em> Norte Maar, Rouses Point, NY, curated by Jason Andrew<\/p>\n<p><strong>2007<\/strong><br \/>\n<em>In the Belly of the Whale,<\/em> Tracy Williams Gallery, New York, New York, curated by Patrick Callery<br \/>\n<em>I Died for Beauty,<\/em> Newman-Popiashvilli Gallery, New York, New York, curated by Omar Lopez-Chahoud<\/p>\n<p><strong>2006<\/strong><br \/>\n<em>Summer View,<\/em> Feigen Contemporary, New York, New York<\/p>\n<p><strong>2005<\/strong><br \/>\n<em>Fall Vernisage 2005,<\/em> Mary Dinaburg, New York, New York<\/p>\n<p><strong>2004<\/strong><br \/>\n<em>Elsewhere,<\/em> Feigen Contemporary, New York, New York<br \/>\n<em>If You Were Here,<\/em> ArtsPlace Gallery, Lexington, Kentucky<br \/>\n<em>Colored Pencil,<\/em> KS Art, New York, New York<br \/>\n<em>Hot + Cool * Summer,<\/em> Gallery W 52, New York, New York<\/p>\n<p><strong>2003<\/strong><br \/>\n<em>Ball Point Inklings,<\/em> KS Art, New York, New York<br \/>\n<em>24,<\/em> Eugene Binder Gallery, Marfa, Texas<\/p>\n<p><strong>2002<\/strong><br \/>\n<em>Flux and Transparencies,<\/em> Galerie Filles du Calvaire, Brussels, Belgium, curated by Catherine Perret and Christine Buci\u2013Glucksman<br \/>\n<em>Minimal to Excess,<\/em> Bucheon Gallery, San Francisco, CA<br \/>\n<em>Cross Pollination,<\/em> The Arboretum, LA, CA, curated by MeryLynn McCorkle and Susan Joyce (cd available)<\/p>\n<p><strong>2001<\/strong><br \/>\n<em>Perfect Plastic,<\/em> &lt;g-module&gt; Jeff Gleich Gallery, Paris, France<br \/>\n<em>Cross Pollination,<\/em> Holland Tunnel Gallery, Brooklyn, NY, curated by MeryLynn McCorkle and Susan Joyce (cd available)<\/p>\n<p><strong>2000<\/strong><br \/>\n<em>Flux and Transparencies,<\/em> Galerie Filles du Calvaire, Paris, France, curated by Catherine Perret and Christine Buci\u2013Glucksman<br \/>\n<em>Works on Paper,<\/em> Geoff Young Gallery, Great Barrington, MA<br \/>\n<em>&#8220;Small Abstraction,&#8221;<\/em> Eugene Binder Gallery, Long Island City, New York<br \/>\n<em>&#8220;Almost Something, Depictive Abstraction,&#8221;<\/em> curated by Andrew Chesler, Catherine Moore Gallery, New York, New York<br \/>\n<em>&#8220;Chromaform,&#8221;<\/em> curated by Frances Colpitt<br \/>\nCSU Fullerton, Fullerton, CA<br \/>\nSanta Barbara Arts Forum, Santa Barbara, CA<br \/>\nMount Holyoke University, South Hadley, MA<br \/>\nNewcomb Art Gallery, Tulane University, New Orleans, LA<br \/>\n<em>&#8220;Mealy Mouthed Materials, Charismatic Shapes and Other Funny Stories,&#8221;<\/em> curated by Sally Gil and Dan Mills<br \/>\nThe Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN<br \/>\nThe Biggen Gallery of Art, Auburn University, Auburn, Alabama<br \/>\nAcme Gallery, Los Angeles, CA<br \/>\nSullivan\/Genovese Gallery, Boston, MA<\/p>\n<p><strong>1999<\/strong><br \/>\nAC Projects, New York, NY<br \/>\n<em>&#8220;Chromaform,&#8221;<\/em> curated by Frances Colpitt<br \/>\nNevada Institute of Contemporary Art, Las Vegas, NV<br \/>\nWichita State University, Wichita, KS<br \/>\nUniversity Art Gallery, New Mexico State University, Las Cruces, NM<br \/>\nSonoma State University, Sonoma, CA<br \/>\n<em>&#8220;Mealy Mouthed Materials, Charismatic Shapes and Other Funny Stories,&#8221;<\/em> curated by Sally Gil and Dan Mills<br \/>\nRoland Gibson Art Gallery, SUNY, Potsdam, NY<br \/>\nUniversity Galleries, Illinois State University, Normal, IL<br \/>\nRowe Arts Gallery, University of North Carolina, Charlotte, NC<br \/>\nWhite Box, Philadelphia, PA, curated by Dick Torchia<br \/>\nDe Chiara | Stewart Gallery, New York, NY<br \/>\n<em>Twenty-fifth Anniversary of NYFA<\/em><\/p>\n<p><strong>1998<\/strong><br \/>\nBravin Post Lee Gallery, New York, NY \u2014 <em>&#8220;Three Sculptors&#8221;<\/em><br \/>\nThe David and Alfred Smart Museum of Art, Chicago, IL \u2014 <em>&#8220;Blunt Object,&#8221;<\/em> curated by Courtenay Smith<br \/>\n<em>&#8220;Chromaform,&#8221;<\/em> curated by Frances Colpitt<br \/>\nUniversity of Texas, San Antonio, TX<br \/>\nUniversity of North Texas, Denton, TX<\/p>\n<p><strong>1997<\/strong><br \/>\nAC Project Room, New York, NY<br \/>\n<em>Drawings From The MAB Library,<\/em> The Work Space, New York, NY<br \/>\n<em>Sculptural Imagery,<\/em> The Rosenberg Gallery, Hofstra University, Hempstead, NY<br \/>\n<em>Across Lines,<\/em> curated by Dan Devine, James Schmidt Contemporary, St. Louis, Missouri<br \/>\nGraham and Sons, New York, New York<br \/>\nIslip Museum, Islip, New York<\/p>\n<p><strong>1996<\/strong><br \/>\nMuseum of Fine Arts, Florida State University, Tallahassee, FL<br \/>\nDeven Golden Fine Arts, Ltd, New York, NY<br \/>\n<em>Hot House,<\/em> The Work Space, New York, NY, curated by Amanda Trager<br \/>\n<em>Transformal,<\/em> Wiener Secession, Vienna, Austria<br \/>\nAngles Gallery, Santa Monica, California<br \/>\n<em>My Friends in My Apartment,<\/em> NY, NY, curated by Barbara Pollack<br \/>\nApex Gallery, New York, New York<br \/>\nFeigen Gallery, Chicago, Illinois<br \/>\nJames Schmidt Contemporary, St. Louis, Missouri<br \/>\nNew Museum, NY, NY, Annual Gala Benefit<br \/>\nSculpture Center, NY, NY, Benefit Show<br \/>\nWhite Columns, NY, NY, Benefit Show<\/p>\n<p><strong>1995<\/strong><br \/>\nBravin Post Lee, New York, New York \u2014 <em>A Drawing<\/em><br \/>\nFeigen Gallery, Chicago, Illinois \u2014 <em>New Works<\/em><br \/>\nStark Gallery, New York, New York \u2014 <em>Color,<\/em> curated by Richard Kalina<br \/>\nE. S. Vandam Gallery, New York, New York \u2014 <em>Works for a Funhouse,<\/em> curated by Sue Canning, Saul Ostrow, Yvonne Muranushi<br \/>\nCasey Kaplan Gallery, New York, New York<br \/>\nE. S. Vandam Gallery, New York, New York \u2014 <em>Tinkering and Delving,<\/em> curated by Tom Butter<\/p>\n<p><strong>1994<\/strong><br \/>\nSanta Monica Museum of Contemporary Art, Santa Monica, California, curated by Tom Rhoads<br \/>\nBardamu Gallery, New York, New York<br \/>\n<em>Jours Tranquilly \u00e0 Clichy,<\/em> Paris, France<br \/>\nBravin Post Lee Gallery, New York, New York<\/p>\n<p><strong>1993<\/strong><br \/>\nShirley Fiterman Gallery, New York, New York<br \/>\nMadelain Jordan Gallery, New York, New York<br \/>\nThe Living Room, Amsterdam, Holland \u2014 <em>Jean Silverthorne, Peer Veneman, Daniel Wiener<\/em><br \/>\nArt Finds Gallery, East Hampton, New York \u2014 <em>Hybrid Sculpture<\/em><br \/>\nSolo Impressions, Inc., New York, New York \u2014 <em>Malta&#8217;s Cradle: Reflections on the Abyss of Time,<\/em> curated by Peggy Cyphers, Palazzo Castanci, Trieste, Italy<br \/>\n<em>Post-Dialectical Index,<\/em> curated by Robert Morgan \u2014 Fiorella Lalumia Studio, Milan, Italy<br \/>\n<em>Post-Dialectical Index,<\/em> curated by Robert Morgan \u2014 Horodner Romley Gallery, New York, New York<\/p>\n<p><strong>1992<\/strong><br \/>\nGermans Van Eck Gallery, New York, New York \u2014 <em>The Play Between Fear and Desire<\/em><br \/>\nJohn Michael Kohler Art Center, Sheboygan, Wisconsin \u2014 <em>In Praise of Folly<\/em><br \/>\nThread Waxing Exhibition Space, New York, New York \u2014 <em>The Curio Shop,<\/em> curated by Saul Ostrow<br \/>\nArti et Amicitiae, Amsterdam, Holland \u2014 <em>A Marked Difference<\/em><br \/>\nSculpture Center, New York, New York, Group Show<br \/>\nDavid Beitzel Gallery, New York, New York \u2014 <em>Allusion<\/em><br \/>\nMontclair State Art Galleries, Montclair, New Jersey \u2014 <em>Selections from The Curio Shop,<\/em> curated by Saul Ostrow<br \/>\nBarbara Toll Gallery, New York, New York \u2014 <em>Modeling,<\/em> curated by Rafael Rubinstein<br \/>\nPamela Auchincloss Gallery, New York, New York<br \/>\nP.S. 1 Museum, Long Island City \u2014 <em>Seven Rooms, Seven Shows: Four Walls at P.S.1<\/em><br \/>\nGermans Van Eck Gallery, New York, New York \u2014 <em>Gallery Artists and Friends<\/em><\/p>\n<p><strong>1991<\/strong><br \/>\nJohn Post Lee Gallery, New York, New York \u2014 <em>Ornament<\/em><br \/>\nSyracuse University, Syracuse, New York \u2014 <em>Animation and Ornament,<\/em> curated by Stephen Westfall<br \/>\nArt in General, New York, New York \u2014 <em>Balancing<\/em><br \/>\nCarnegie Mellon Gallery, Pittsburgh, Pennsylvania \u2014 <em>New Generation: New York,<\/em> curated by Elaine King<br \/>\nSculpture Center, New York, New York<\/p>\n<p><strong>1990<\/strong><br \/>\nPotsdam College of the State University of New York, Potsdam, New York \u2014 <em>Animation and Ornament<\/em><br \/>\nCooper Union, New York, NY \u2014 <em>Symbolism<\/em><br \/>\nSorkin Gallery, New York \u2014 <em>Body: Once Removed<\/em><br \/>\nPhilip Staib Gallery, New York, New York<\/p>\n<p><strong>1988<\/strong><br \/>\nSculpture Center, New York, New York \u2014 <em>Annual Small Works<\/em><br \/>\nJohn Good Gallery, New York, New York \u2014 <em>Numerators<\/em><br \/>\nAubes 3935 Galerie, Montreal, Canada \u2014 <em>Living in New York<\/em><\/p>\n<p><strong>1986<\/strong><br \/>\nBard College, Croton-on-the-Hudson, New York \u2014 <em>The Painted Readymade<\/em><\/p>\n<p><strong>1983<\/strong><br \/>\nBrown University, Providence, Rhode Island<br \/>\nStudio Marconi, Milan, Italy<br \/>\nTibor de Nagy Gallery, New York, New York<br \/>\nSanta Cruz Museum of Art, Santa Cruz, California<\/p>\n<p><strong>1982<\/strong><br \/>\nOakland Museum, Oakland, California \u2014 <em>From the Sunny Side<\/em><br \/>\nStephen Wirtz Gallery, San Francisco, California \u2014 <em>Summer Show<\/em><br \/>\nVisual Arts Center, Anchorage, Alaska<br \/>\nSun Gallery, Hayward, California<\/p>\n<h2>Video \u2014 New Media<\/h2>\n<hr \/>\n<p><strong>2001<\/strong><br \/>\n<em>hairtoextraholly<\/em> \u2014 a web animation presented by Dinaburg Arts LLC, NY, NY<br \/>\nThaw01 Festival of Video, Experimental Film and New Media, <a href=\"http:\/\/www.uiowa.edu\/~thaw\" target=\"_blank\" rel=\"noopener noreferrer\">www.uiowa.edu\/~thaw<\/a>, University of Iowa, Iowa City, Iowa<br \/>\nRhizome, <a href=\"http:\/\/www.rhizome.org\" target=\"_blank\" rel=\"noopener noreferrer\">www.rhizome.org<\/a><\/p>\n<h2><\/h2>\n<h2>Public Collections<\/h2>\n<hr \/>\n<p>Brown University, Providence, Rhode Island<br \/>\nLa Jolla Museum of Contemporary Art, San Diego, California<br \/>\nSanta Cruz Museum of Contemporary Art, Santa Cruz, California<br \/>\nMuseum van Hedendaagse Kunst, Gent, Belgium<br \/>\nPeco Energy, King of Prussia, Pennsylvania<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1954 Born, Cambridge, Massachusetts 1974\u20131975 Brown University, Rhode Island 1975\u20131977 University of California, Berkeley, B.A. 1982\u20131983 Whitney Museum Independent Study Program Awards\/Fellowships 2017 Residence at MacDowell Colony Dieu Donne Workspace Artist 2015 Tree of Life Grant 2013 Alpert Award Ucross Residency 2012 Guggenheim Fellowship 2005 Artist in Residence \u2014 Pilchuck &hellip; <a href=\"https:\/\/www.danielwiener.com\/is\/resume\"><br \/>Read More<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-32","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/pages\/32","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/comments?post=32"}],"version-history":[{"count":4,"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/pages\/32\/revisions"}],"predecessor-version":[{"id":34,"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/pages\/32\/revisions\/34"}],"wp:attachment":[{"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/media?parent=32"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}