{"id":3891,"date":"2016-03-25T10:24:29","date_gmt":"2016-03-25T15:24:29","guid":{"rendered":"http:\/\/www.danielwiener.com\/is\/?p=3891"},"modified":"2016-04-02T10:27:41","modified_gmt":"2016-04-02T15:27:41","slug":"sculpture-magazine-2015","status":"publish","type":"post","link":"https:\/\/www.danielwiener.com\/is\/news\/sculpture-magazine-2015","title":{"rendered":"Sculpture Magazine 2015"},"content":{"rendered":"<p>&#8220;Daniel Wiener: Trojan Horses&#8221;<br \/>\nBy Kathleen Whitney<br \/>\nJune 2015<br \/>\n<em>Sculpture<\/em><\/p>\n<p>&#8220;Wiener thinks of his functional objects as &#8220;Trojan horses,&#8221; objects that carry a concealed aesthetic agenda into a domestic space\u2014the art part sneaks in under cover.&#8221;<\/p>\n<p><a href=\"http:\/\/www.danielwiener.com\/is\/wp-content\/uploads\/2016\/04\/sculpture-mag-2015.pdf\" rel=\"\">Trojan Horses, Sculpture Magazine<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3894 size-large\" src=\"http:\/\/www.danielwiener.com\/is\/wp-content\/uploads\/2016\/04\/sculpture-mag-2015-003-463x600.jpg\" alt=\"Trojan Horses, Sculpture Magazine\" width=\"463\" height=\"600\" srcset=\"https:\/\/www.danielwiener.com\/is\/wp-content\/uploads\/2016\/04\/sculpture-mag-2015-003-463x600.jpg 463w, https:\/\/www.danielwiener.com\/is\/wp-content\/uploads\/2016\/04\/sculpture-mag-2015-003-232x300.jpg 232w, https:\/\/www.danielwiener.com\/is\/wp-content\/uploads\/2016\/04\/sculpture-mag-2015-003-768x995.jpg 768w, https:\/\/www.danielwiener.com\/is\/wp-content\/uploads\/2016\/04\/sculpture-mag-2015-003-386x500.jpg 386w\" sizes=\"auto, (max-width: 463px) 100vw, 463px\" \/><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Wiener thinks of his functional objects as &#8220;Trojan horses,&#8221; objects that carry a concealed aesthetic agenda into a domestic space\u2014the art part sneaks in under cover.&#8221; <a href=\"https:\/\/www.danielwiener.com\/is\/news\/sculpture-magazine-2015\"><br \/>Read More<\/a><\/p>\n","protected":false},"author":2,"featured_media":3894,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,5],"tags":[],"class_list":["post-3891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-press"],"_links":{"self":[{"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/posts\/3891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/comments?post=3891"}],"version-history":[{"count":3,"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/posts\/3891\/revisions"}],"predecessor-version":[{"id":3898,"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/posts\/3891\/revisions\/3898"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/media\/3894"}],"wp:attachment":[{"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/media?parent=3891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/categories?post=3891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.danielwiener.com\/is\/wp-json\/wp\/v2\/tags?post=3891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}