{"id":5162,"date":"2026-06-29T15:51:38","date_gmt":"2026-06-29T20:51:38","guid":{"rendered":"https:\/\/www.danielwiener.com\/is\/?p=5162"},"modified":"2026-06-29T15:51:38","modified_gmt":"2026-06-29T20:51:38","slug":"review-by-etty-yaniv-in-art-spiel","status":"publish","type":"post","link":"https:\/\/www.danielwiener.com\/is\/press\/review-by-etty-yaniv-in-art-spiel","title":{"rendered":"Review by Etty Yaniv in Art Spiel"},"content":{"rendered":"
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Satchel Projects: Daniel Wiener, \u201cOut in Front of the Back of the Beyond,\u201c 2026, installation view<\/p><\/div>\n

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Daniel Wiener at Satchel Projects: Out in front of the back of beyond<\/h2>\n

Out in Front of the Back of Beyond<\/em>, the title of Daniel Wiener\u2019s current solo exhibition at Satchel Projects, is a perfect pitch for the work on view. The notion of \u201cfront and back\u201d strikes a strong chord throughout \u2014 explicit in the freestanding sculptures, hinted at in the wall pieces.<\/p>\n

The two larger floor-based sculptures, facing each other, stand out. At first glance, they offer only a textural front, a mask-like fa\u00e7ade resembling a mutated zombie from a sci-fi movie, an archaic ritual mask drawing on an amalgam of cultures. Their skinny sides reveal stripes resembling strata, a child\u2019s plasticine sorting, a prototype of an organic life form, or plants. Doubling Back<\/em> is predominantly warm yellow with spurts of bright green, lavender purple, and Bazooka bubblegum pink, creating a model of a fantastic organism. The predominant beige in Polyphony Beyond the Baton\u2019s Thrust<\/em>, along with its pronounced facial features \u2014 a linear green for a mouth, orange rows of teeth, a green hole for a nose, cookie-like blue circles for cheeks \u2014 make an immediately recognizable face.<\/p>\n

Read Full Review Here<\/a><\/p>\n<\/header>\n

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  Daniel Wiener at Satchel Projects: Out in front of the back of beyond Out in Front of the Back of Beyond, the title of Daniel Wiener\u2019s current solo exhibition at Satchel Projects, is a perfect pitch for the work on view. The notion of \u201cfront and back\u201d strikes a …
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