The Space of Intimacy: Daniel Wiener interviewed by Fawn Krieger<\/a>, BOMB, October 15, 2019<\/p>\n Daniel Wiener: Kooks and Villains<\/a>, by Roberta Smith, New York Times, May 29, 2015<\/p>\n Space and Specters: From Calvino to Tarantino<\/a>, by Paul D’Agostino, Brooklyn Magazine, August 12, 2015<\/p>\n Alien Forms: \u2018Cosmicomics\u2019 at Frosch&Portmann<\/a>, by\u00a0Thomas Micchelli, Hyperallergic, July 15, 2015<\/span><\/p>\n Daniel Wiener: Trojan Horses<\/a>, by Kathleen Whitney, Sculpture Magazine, June 2015<\/p>\n Daniel Wiener at Lesley Heller Workspace<\/a>, by Jennifer Coates, Hammer and Skittle, May 5, 2015<\/p>\n Researching Daniel Wiener for the Window Gallery <\/a><\/em> by Austin Thomas on Drawing on the Utopic<\/a><\/p>\n Interviewed by Zach Keeting<\/a> and Chris Joy<\/a> for their website Gorky\u2019s Granddaughter<\/a><\/p>\n Paradigm Shift<\/a><\/em> by Janet Goleas, Blinnk<\/p>\n New Sculpture at LongHouse Reserve<\/a> <\/em>by Marion Wolberg-Weiss, Dan\u2019s Hamptons<\/p>\n LongHouse Reserve Exhibition: Diversities of Sculpture<\/a>, The Hamptons.com<\/p>\n Mind, Matter and Exquisite Things<\/a> <\/em>by Janet Goleas, Blinnk<\/p>\n Bonnie Rychlak: A Curator\u2019s Work Is Never Done<\/a> <\/em>by Jennifer Landes, The East Hampton Star<\/p>\n Daniel Wiener<\/a><\/em> by Alexander Ross, BOMB<\/p>\n Daniel Wiener: Lesley Heller<\/a> <\/em>by Douglas Manson, Art in America<\/p>\n An Ethos of Industrious Neurosis<\/a><\/em> by David Brody, ArtCritical.com A Mess of Art<\/a><\/em> by Blake Gopnik, The Daily Beast<\/p>\n Haiku Review<\/a><\/em> by Peter Frank, The Huffington Post<\/p>\n Making is Thinking Video Tour<\/a><\/em> by James Kalm\/Lauren Monk, ArtReview.com Words with the Artist: Daniel Wiener, Part 1<\/a> <\/em>and Part 2<\/a> <\/em>by Jessica Pleasants, FXFOWLE<\/p>\n Daniel Wiener at Calvin Morris Gallery<\/a><\/em> by Ephraim Birnbaum, Romanov Grave<\/p>\n Almost Something\u2014Deceptive Abstraction<\/a><\/em> by Ken Johnson, New York Times<\/p>\n Prizing an Animated Approach to Life<\/a><\/em> by David Pagel, Los Angeles Times<\/p>\n Things and Objecthood <\/em><\/a>by Johanna Drucker, Sculpture Magazine<\/p>\n A Smart Animated Mix of High, Low Style<\/em> by David Pagel, Los Angeles Times<\/p>\n Daniel Wiener: Bravin Post Lee Gallery<\/a><\/em> by Amy Sillman, Thing Reviews<\/p>\n Daniel Wiener at Bravin Post Lee<\/em> by Tom Moody, The New Art Examiner<\/p>\n Suspending the Limits on Imagination in Sculpture<\/a> <\/em>by David Pagel, Los Angeles Times<\/p>\n The Shape of Things to Come<\/em><\/a> by Raphael Rubinstein, Art in America<\/p>\n Daniel Wiener at Germans van Eck Gallery<\/em> by Judith Page, Art Papers<\/p>\n Germans van Eck<\/em> by Hearne Pardee, ARTnews<\/p>\n Daniel Wiener at Germans van Eck <\/em>by George Melrod, Art in America<\/p>\n Daniel Wiener at Foodhouse<\/em> by Christopher Knight<\/p>\n Daniel Wiener at Foodhouse <\/em>by Susan Kandel, The Los Angeles Times<\/p>\n Son of \u201cScatter\u201d<\/em> by Dan Cameron, Art and Auction<\/p>\n Crossing Borders<\/em> by Drew Lowenstein, Downtown Resident<\/p>\n Daniel Wiener at Dorothy Goldeen Gallery <\/em>by Michael Anderson, Art Issues<\/p>\n Daniel Wiener at Dorothy Goldeen Gallery<\/em> by David Pagel, Artforum<\/p>\n2015<\/h2>\n
2014<\/h2>\n
2013<\/h2>\n
2012<\/h2>\n
2011<\/h2>\n
\nDavid Brody, in a wonderfully clever article, writes \u201cWiener’s exploratory, morph-or-die universe is the reverse of our inertial one: objects never remain at rest.\u201d<\/p>\n
\nA walk-through of the show at Lesley Heller Workspace, in April.<\/p>\n2010<\/h2>\n
2000<\/h2>\n
1997<\/h2>\n
1996<\/h2>\n
1995<\/h2>\n
1994<\/h2>\n
1993<\/h2>\n