Daniel Wiener
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Making A Table

Published on April 26, 2010

Making a Table “Flare and Falter”, a selection of images

View “Flare and Falter”, finished.

Making a Table "Flare and Falter" some of the parts
Flare and Falter, attaching parts to burlap
Making a Table "Flare and Falter" attaching parts to burlap with Apoxie-Scupl
Making a Table "Flare and Falter" attaching more parts to burlap with Apoxie-Scupl
Making a Table "Flare and Falter" preparing to attach parts to burlap with Apoxie-Scuplt
Making a Table "Flare and Falter", preparing Apoxie-Sculpt in layers for stripes around edge
Making a Table "Flare and Falter", view of stripes around edge, added and sanded, rasped
Making a Table "Flare and Falter", view of stripes around edge, added and sanded, rasped
Making a Table "Flare and Falter", attaching the stand, waiting for the supports to dry
Making a Table "Flare and Falter", attaching the stand, strengthening the supports
Making a Table "Flare and Falter", detail of cast element, peaking through the holes in the surface
Making a Table "Flare and Falter", detail of cast element, peaking through the holes in the surface
Making a Table "Flare and Falter", detail of cast element, notice the rasp/sanding marks
Making a Table "Flare and Falter", detail of cast element, notice the rasp/sanding marks
Making a Table "Flare and Falter", image of the finished piece
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News

  • Sculpture Magazine 2015
  • Interview on Gorky’s Grandaughter
  • Limited Edition Sequoia Tee
  • Covering, 1978
  • East Hampton Star, 2012

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  • BEYOND FACE VALUE
  • At Home with Scallywags and Ra…
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Open Source Sculpture

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  • Making A Table

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Exhibitions

BEYOND FACE VALUE

  • November 1 - December 1, 2024, 2024
  • Opening: Friday, November 1, 6 - 8 pm
  • Lesley Heller
  • Art Cake
  • 214 40th Street, Studio 10
  • Brooklyn, New York

Participating artists: Nicole Awai, Henry Chung, Nick Ghiz, Clara Nartey, Rigo (José Rigoberto Rodríguez Camacho), Elise Siegel, Kim Weston, and Daniel Wiener

The Space of Intimacy

Bomb Magazine The Space of Intimacy: Daniel Wiener Interviewed by Fawn Krieger: As time went on I realized that the faces’ expressions reflected a common reaction to this era. That I was dumfounded, flabbergasted, and bewildered by the rise of authoritarian nationalism seeped unconsciously into this group of work. The show ended up as an emotional response to being at a loss—“wide-eyed” with disbelief and “open-mouthed” with astonishment, along with a fair amount of panic.

Daniel Wiener | ©1982 - 2025 | Credits