Bibliography

2011

Reviews

An Ethos of Industrious Neurosis by David Brody, ArtCritical.com
David Brody, in a wonderfully clever article, writes “Wiener’s exploratory, morph-or-die universe is the reverse of our inertial one: objects never remain at rest.”

A Mess of Art by Blake Gopnik, The Daily Beast

Haiku Review by Peter Frank, The Huffington Post

Making is Thinking Video Tour by James Kalm/Lauren Monk, ArtReview.com
A walk-through of my recent show at Lesley Heller Workspace, in April.

2010

Words with the Artist: Daniel Wiener, Part 1 and Part 2 by Jessica Pleasants, FXFOWLE

Daniel Wiener at Calvin Morris Gallery by Ephraim Birnbaum, Romanov Grave

2000

Almost Something—Deceptive Abstraction by Ken Johnson, New York Times

1997

Prizing an Animated Approach to Life by David Pagel, Los Angeles Times

Things and Objecthood by Johanna Drucker, Sculpture Magazine

1996

Daniel Wiener: Bravin Post Lee Gallery by Amy Sillman, Thing Reviews

Suspending the Limits on Imagination in Sculpture by David Pagel, Los Angeles Times

1995

The Shape of Things to Come by Raphael Rubinstein, Art in America

1992

Some Funny Business from Daniel Wiener by David Pagel, Los Angeles Times


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Reviews

An Ethos of Industrious Neurosis

by David Brody, ArtCritical.com
David Brody, in a wonderful article, writes "Wiener's exploratory, morph-or-die universe is the reverse of our inertial one: objects never remain at rest."

A Mess of Art

by Blake Gopnik, The Daily Beast

Haiku Review

by Peter Frank, The Huffington Post

Words with the Artist: Daniel Wiener, Part 1 and Part 2

by Jessica Pleasants, FXFOWLE

Daniel Wiener at Calvin Morris Gallery

by Ephraim Birnbaum, Romanov Grave

Interview

Making is Thinking Video Tour

by James Kalm/Lauren Monk, ArtReview.com
A walk-through of my recent show at Lesley Heller Workspace, in April.

Galleries

Lesley Heller Workspace

54 Orchard Street
New York, NY 10002
t 212 410 6120

ArtWeLove

Three Editions
Sculpture, Adrift
Near the Ruins of the Sutro Baths
Red Leaf

ArtWeLove presents "curated limited editions, by some of the best artists living today, irresistibly priced for every budget."

Exhibitions

Spriral Bound

Notebooks by Artists from New York and San Diego
Read Essay
June 18 - July 16, 2011
National University
7787 Alvarado Road
La Mesa, CA

Materials

Apoxie Sculpt

Apoxie-Sculpt is a self-hardening clay manufactured by Aves Studios.

Polytek - Liquid Mold Rubber

I use Polytek 74-30 for poured rubber molds and Polygel 40 or 50 for brush-on molds.

Aqua-Resin

Aqua-Resin (created by an artist) is an easy to use, opaque, non-toxic composite fabricating resin. It is usually used as a casting material but I use it direct, either brushing it or pouring it over a form.

Pilchuck

All the glass seen in my sculptures was produced at Pilchuck Glass School over several weeks during an artist-in-residency. Pilchuck, generously, asks artists to their campus to explore what glass can do. It was a tremendous and productive experience.