Daniel Wiener
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Exhibits

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Minimal/Maximal II

[Group Show]
  • July 10 - 12, 2026
  • Opening: 12 - 6pm Ed Rothfarb
  •  
  • Ed Rothfarb's Studio
  • Athens, New York

Participating artists: Jean Feinberg, Jane Fine, Mara Held, Ed Rothfarb, Jenny Snider, Blair Tate, and Daniel Wiener

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Minimal/Maximal

[Group Show]
  • June 26 - 27, 2025
  • Opening: 12 - 6pm Ed Rothfarb
  •  
  • Ed Rothfarb's Studio
  • Athens, New York

Participating artists: Nancy Bowen, Jean Feinberg, Mara Held, Ed Rothfarb, Jenny Snider, Joel Werring, Daniel Wiener, and Monika Zarzeczna

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News

  • Sculpture Magazine 2015
  • Interview on Gorky’s Grandaughter
  • Limited Edition Sequoia Tee
  • Covering, 1978
  • East Hampton Star, 2012

Exhibits

  • Minimal/Maximal II
  • East Branch Nature Preserve’…
  • Out in Front of the Back of Be…
  • Minimal/Maximal
  • BEYOND FACE VALUE

Open Source Sculpture

  • Animated Vessels
  • Undulant Cousins
  • The Collocation Project
  • Making the FXFOWLE Tabletop
  • Making A Table

Sculptors

  • Elise Siegel
  • Joel Otterson
  • Ronald Bladen
  • Alan Wiener
  • Elisa Lendvay
  • Nancy Davidson
  • Julia Kunin

Categories

  • Animation
  • Artist Website, Step by Step
  • Exhibitions
  • News
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  • Press
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  • Sculptors
  • Tutorials
  • Website Step by Step (archived)

Sundry Links

  • Instagram
  • Faces
  • Exhibits
  • Materials Used in my Sculpture
  • Furniture
  • Useless Thing to Look At

Exhibitions

BEYOND FACE VALUE

  • November 1 - December 1, 2024
  • Opening: Friday, November 1, 6 - 8 pm
  • Lesley Heller
  • Art Cake
  • 214 40th Street, Studio 10
  • Brooklyn, New York

Participating artists: Nicole Awai, Henry Chung, Nick Ghiz, Clara Nartey, Rigo (José Rigoberto Rodríguez Camacho), Elise Siegel, Kim Weston, and Daniel Wiener

The Space of Intimacy

Bomb Magazine The Space of Intimacy: Daniel Wiener Interviewed by Fawn Krieger: As time went on I realized that the faces’ expressions reflected a common reaction to this era. That I was dumfounded, flabbergasted, and bewildered by the rise of authoritarian nationalism seeped unconsciously into this group of work. The show ended up as an emotional response to being at a loss—“wide-eyed” with disbelief and “open-mouthed” with astonishment, along with a fair amount of panic.

Daniel Wiener | ©1982 - 2026 | Credits