Daniel Wiener
  • Sculpture
  • Faces
  • Drawing
  • More Work
    • Sketches
    • Painting
    • Books
    • Watercolors
  • About
    • Contact
    • Exhibits
    • News
    • Resume
    • Press
    • Statement
    • Odd to Make Sculpture
    • Materials Used in my Sculpture
    • Website Design and Development
  • Projects
    • Open Source Sculpture
    • Animation
    • Sculptors
    • Titles
    • Tutorials

Folkert de Jong

Published on May 19, 2009

Wow.

Folkert de Jong

YouTube

New York Times Review of Wadsworth Show

At James Cohan Gallery

This entry was posted in . Bookmark the permalink.

Post navigation

News

  • Sculpture Magazine 2015
  • Interview on Gorky’s Grandaughter
  • Limited Edition Sequoia Tee
  • Covering, 1978
  • East Hampton Star, 2012

Exhibits

  • BEYOND FACE VALUE
  • At Home with Scallywags and Ra…
  • Consummate Plush
  • Ho Hum All Ye Faithful (part …
  • Wide Eyed and Open Mouthed

Open Source Sculpture

  • Animated Vessels
  • Undulant Cousins
  • The Collocation Project
  • Making the FXFOWLE Tabletop
  • Making A Table

Sculptors

  • Elise Siegel
  • Joel Otterson
  • Ronald Bladen
  • Alan Wiener
  • Elisa Lendvay
  • Nancy Davidson
  • Julia Kunin

Categories

  • Animation
  • Artist Website, Step by Step
  • Exhibitions
  • News
  • Open Source Sculpture
  • Press
  • Resources for Artists
  • Sculptors
  • Tutorials
  • Website Step by Step (archived)

Sundry Links

  • News
  • Press
  • Sculptors
  • Materials Used in my Sculpture
  • Furniture
  • Useless Thing to Look At

Exhibitions

BEYOND FACE VALUE

  • November 1 - December 1, 2024, 2024
  • Opening: Friday, November 1, 6 - 8 pm
  • Lesley Heller
  • Art Cake
  • 214 40th Street, Studio 10
  • Brooklyn, New York

Participating artists: Nicole Awai, Henry Chung, Nick Ghiz, Clara Nartey, Rigo (José Rigoberto Rodríguez Camacho), Elise Siegel, Kim Weston, and Daniel Wiener

The Space of Intimacy

Bomb Magazine The Space of Intimacy: Daniel Wiener Interviewed by Fawn Krieger: As time went on I realized that the faces’ expressions reflected a common reaction to this era. That I was dumfounded, flabbergasted, and bewildered by the rise of authoritarian nationalism seeped unconsciously into this group of work. The show ended up as an emotional response to being at a loss—“wide-eyed” with disbelief and “open-mouthed” with astonishment, along with a fair amount of panic.

Daniel Wiener | ©1982 - 2025 | Credits